Chickataubut Memorial

A tribute to sovereignty and story—where Indigenous legacy, bronze, stone, and spirit converge.

PROJECT SNAPSHOT

Client: City of Quincy / Massachusett Tribe at Ponkapoag

Materials: Bronze + Granite

Location: Quincy, MA

Year: 2026

Scale: 12 feet tall / ~23,000 lbs

Project Type: Public Monument / Cultural Commemoration

Collaborators:

Design Team: Wesley Wofford, Sculptor (bronze), Ryan Ackerman, Texture Sculptor (granite), Faries Gray, Sa'chem of the Massachusett Tribe

Image is a rendering - Project will be completed in Fall 2026

THE STORY

The Chickataubut Memorial is a bold and long-overdue tribute to one of the region’s most important Indigenous leaders: Sachem Chickataubut, the historic leader of the Massachusett people. Commissioned in partnership with the Massachusett Tribe at Ponkapoag, the sculpture stands as both public monument and cultural reckoning—a permanent acknowledgment of Indigenous presence, resilience, and sovereignty on the land now known as Quincy, the heart of Chickataubut’s ancestral territory.

The memorial was shaped by extensive oral histories, archival research, and interviews conducted in collaboration with members of the Massachusett Tribe. Additional research was conducted by both Ackerman and Wofford, focusing on the regalia and setting elements vital to the statue's design. Additionally, the Quincy Historical Society, and the Thomas Crane Public library archives were helpful in better informing the sculpture's narrative. What emerged was a singular message from the Tribe, a vital public declaration: “We are still here.”

Towering atop the granite base, Wofford’s bronze sculpture features a 12-foot-tall Chickataubut holding his young son, Wampatuck, who would later become Sachem of the Massachusett. In his raised hand, Chickataubut presents a wampum belt—a sacred symbol of diplomacy, sovereignty, heritage, and unbroken lineage serving as a powerful visual anchor. The figures rise from a massive Mountain Green granite wave, whose kinetic form evokes the Atlantic coastline, ancestral memory, and the motion of unfolding generational knowledge.

Behind the artistry lies an extraordinary feat of engineering blending cutting-edge technology with old-world craftsmanship.

The bronze was designed to emerge fluidly from the granite without any visible seam or mechanical interruption. To achieve this, the team used advanced 3D modeling working in tandem with a 5-axis robotic carving robot to create a seamless transition tucked beneath the crest of the wave. The result is a fluid shift from stone to metal—a sculpture that reads as one singular, continuous, living form.

The full memorial weighs approximately 23,000 lbs. Wofford was the primary sculptor and author of the figure's design. Ackerman completed the foundational base's surfacing by hand, ensuring the wave’s texture and presence remain harmoniously natural, tactile, and intentional.

This project marks a first for Quincy—and for the broader New England region. It brings together Indigenous storytelling, sculptural innovation, and masterful collaboration, merging centuries of history with modern, state-of-the-art fabrication to create a monument of lasting power.

A permanent reminder of the Massachusett people’s enduring legacy and living presence.

ARTISTIC, CONSTRUCTION & TECHNICAL FEATS

  • The design required the bronze to emerge organically from the granite base with no visible mechanical transition. Ackerman and team used 3D modeling and robotic carving to tuck the joint line discreetly beneath the wave’s crest, achieving visual fluidity between two dramatically different materials.

    Re-defined the connection between the bronze & granite. Had to create a unique way of conjoining.

  • The Mountain Green granite base weighs approximately 23,000 lbs and was carved as a unified sculptural wave—requiring logistical coordination for shipping, handling, and site prep.

  • A combination of 5-axis robotic milling and on-site hand-carving allows for extreme precision in structural joints and expressive texture. Ackerman will complete the final surface detailing by hand to ensure continuity of form and craft.

  • The physical form is backed by months of collaboration with tribal historians, state agencies, and archival sources—merging material with message in every aspect of the design.